The Financial Times 18th – 19th May ’13

After the trials and tribulations of last weeks illustration, this one was incredibly relaxed and actually a lot of fun, the factory part especially. I created this illustration by doing lots of drawings of different factories, then selected my favourite parts to be cut together to make a ‘mega factory’!! This image is also 100% Mono Print, which is probably why it was such a good image to create, it’s a pretty fun medium to use (if a little messy.)

See the full article HERE

The Financial Times 11th – 12th May ’13

It seems like every time I do a blog post about another FT job, I’m always writing about how its was my shortest deadline ever. Well, again it was, but I can confidently say I wont be breaking this record. 6 Hours from start to finish, that includes doing the rough. Normally I always make sure my illustrations are finished the Wednesday night, no matter how long I have to stay up, nice and ready for me to hand in at 8am Thursday morning. This time however, due to a complication with an American writer, they had been let down. So 8am comes around on Thursday but still no copy! Surprisingly I was still pretty relaxed, even though I didn’t get the copy until 12pm. Thankfully they moved my deadline back to 6 instead of its normal place of 3pm. So the race was on, 6 hours to go, now I’m speaking directly to the Editor of the paper as well which did speed things up a lot, although I did have to watch my P’s and Q’s. In the end I would say it worked out well, maybe its a little rough around the edges compared to normal but they were happy with it nonetheless. I would liken this experience to trying to make a decision whilst being really, REALLY desperate for a wee; Tense and awkward, but very pleasurable once you had finished.

See the full article HERE

Chinese Whispers

It’s been quite some time since I last completed some personal work of my own, due to an overload of commissions for 2013. So as a bit of a change from my normal posts I thought I would pop up my latest self initiated image, along with the inspiration behind the idea. At the top of the post you can see a small selection of excellent pieces that helped inform my artwork. Once you have looked at all of the examples you can start to see a bit of a pattern emerging, not in the medium that they were created, but in the focus of the models themselves. “What are they looking at” I hear you ask, well a better tomorrow of course! I suppose the point was that it’s something to aspire to, “this forward thinking, upward looking group of people that look like me, I can do this too”. I can’t help thinking there is something a bit ‘Disney’ about them, they all look real yet at the same time completely unrealistic. Maybe it’s my typically British out look, but somehow I cant help but feel really uneasy and pessimistic about them. However, ever since going to china I have been fascinated by the culture and have always wanted to create artwork about it.

I think my image could be viewed in two ways. The first is from the point of view of the people who created the original Chinese posters. You can see the comparatively ugly, western views and ideologies seeping their way into the Chinese poster style hero. The suspiciously Ai Weiwei looking character appears to be up to no good promoting chaos, disorder and darkness onto the chinese people.
In contrast the image could be looked at in a softer way, seeing this influential figure (Ai Weiwei) taking part in a western game called Chinese Whispers. No irony is lost as you can plainly see that both people are in fact of chinese origin. From his shadowy position in the image you can see that all is not well, he is almost hiding behind the radiant girl in red, who we can only assume signifies china itself. So it starts to become clear, from everything we know of Ai Weiwei with his political views of human rights in china, this is about him and others slowly breaking down the barriers of old china that we see in the posters, by pushing freedom of speech. I suppose you could see the image is a reflection of how I see China changing, with the use of modern technology free speech will inevitably creep it’s way in.
Whichever way you look at the image it evokes a certain amount of mystery and although only loosely based on the Chinese Propaganda posters, it successfully hits on the subject I was aiming for.

The Financial Times 27th – 28th Apr ’13

There is a cheeky twist relating to the article in the front of this weeks Diary illustration for the FT. It was an exceptionally good article this week, great subject. I have no idea why, but I love drawing oriental people, yes, this is the weirdest thing I have ever written in a blog post. Please enjoy

See the full article and illustration HERE

The Financial Times 20th – 21st Apr ’13

If I could describe this weeks Diary illustration for the FT as a race, this one would very definitely be a sprint. I had my rough ok’d at 11pm wednesday night with the final piece due in 9am thursday morning. Originally the “Famous British sculptors” name was written in to the article, but when I was told it was going to be removed it really helped with freeing the image up. Which did make it a lot easier to complete the illustration in such a short time. I dont necessarily think that it being a very short deadline diminishes the quality of the image, I think it just makes me a lot faster at thinking of ideas.

The Financial Times 13th – 14th Apr ’13

This weeks illustration for the FT comes with a pretty good story. On Monday 8th the art director contacted me to ask if i wanted to illustrated the diary for them, no stress there I thought. Then I look up from my phone to realise I am not sat at home, I am in fact 200 miles away sat in a motorway service station with my partner and friends. I read on to learn this isn’t the only reason I should feel the pressure; the article is written by the top dog, chief editor, Lionel Barber. Luckily my holiday didn’t interfere to much as on wednesday morning (24 hours before the deadline) I would be racing back done the M40 to get into the studio and finish off the job. My saving grace is that i have brought my newly brought laptop, which I got for this very reason. I could tell things were going well when I got an email to say Lionel is “Very, very impressed”. Surprisingly I actually felt quite stress free and it was a pretty joyous experience with very few hurdles. Hopefully I wont need to travel 600 miles on my next job but at least I know I can do it to good effect!

The Financial Times 6th – 7th Apr ’13

Allow me to introduce Michael Sandel, the American political philosopher and my subject for the ‘FT Lunch’ this week. I sent a few choices this time, but thankfully they chose my favourite!

see the full article HERE

The Financial Times 30th – 31st Mar ’13

There are a few ‘firsts’ with this image. One being that there are no people to be seen, which is pretty huge for me. The 2nd and probably biggest thing is that it was 100% completed using mono-print. It has been moving that way for a while now, due to a few factors within the printing process. The main one being that the end product or professional finished quality is so much nicer than pencil. I am a big fan of it’s organic line quality, it’s use is set to grow even more from here.

The Financial Times 23rd – 24th Mar ’13

Its 9pm on wednesday 20th, I’ve finally finished all the drawing and scanned it all in. All that is left is to arrange it on the computer and slap on some colour, I’m thinking 2 hours maximum, then i can get to bed! At the blink of an eye its 3.30am, where did those 6 hours go? Progress on the image has completely stalled, its going nowhere. Something is wrong with the image but I just cant seem to work out what it is, nothing will fit. It’s that dead, still time of night where I cant have a break, no time to rest and think. Even Itunes has ran out of ideas and become silent, all 30gb of it! As I look at the screen blankly my eyes begin to shut, I can feel the screen’s warm glow. As i open my eyes im no longer sat at my computer in cold dark England, I’m there, I’m in Brazil, I can feel it, I can smell it, it’s all around me. I have it, i know what the image needs, it’s like Zeus himself has sat down beside me, patted me on the back and said “Alright mate, you thought of trying this?”. As i blink, its all gone, the buzz of happy, joyful people all around me has turned into the buzz of my computer. Zeus is nowhere to be seen, all I’am left with is an idea. Oh ok, so its a bit of an exaggeration, but we all like happy endings!!

Read Janan Ganeshs full article here

The Financial Times 9th – 10th Mar ’13

A most excellent article this week by Tony Hall. There were so many points in the piece that I could have chosen to illustrate, however I couldn’t miss the opportunity to draw so many people. Any excuse to knock out a load of mono printing. The final print out is some what different in the colour strength but that is something I have gotten used to now, it being newspaper print and all. I have included a few individual drawings in the post this time to show my process.

read the full article here

The Financial Times 23rd – 24th Feb ’13



A real hard hitting, gritty subject for me this week: An illustration for a review of the book ‘The People of Forever’. It’s about 18 year old girls in the IDF, their stress and troubles, and how they compare to other 18 year old girls in the west. My original image was red instead of orange, but the editor quite rightly pointed out it looked a little apocalyptic, so I opted for the classic ‘luke waller orange‘ instead. I love the girl at the bottom right applying make-up, my only bug bear is that she hasn’t come out as well as I would have liked in the printed version. I think I over applied detail for the size it was going to come out, overall though I like the boldness of the message the image gets across.

Read the full review here: FT Books

The Financial Times 9th – 10th Feb ’13

Times are changing. This illustration marks a very significant point in my freelance career. Last week I was given a massive challenge from the art director at the FT. At christmas he told me he wanted to put me in for illustrating a weekly section of their paper called ‘The FT Lunch’. They had been very pleased with my work and progression and felt I could take on the next level. “But” I was going to have to work hard to get it, basically it’s a pretty important area of the paper which creates a lot of interest; so if he, the editor and one other senior art director didn’t like it then not only would they not use me but I wouldn’t get another shot at it. So with a knot in my stomach, I set about creating. My first mistake was doing the image on A2 paper, I took a lifetime to get the drawing right which is something I dont normally have a problem with, the nose was too long, the eye was too high, and so on. My thoughts were if I do it bigger I can stuff in so much more detail, everyone will be pleased, carry me off into the sunset and crown me King of art. The crown was slipping away by the second day and I was starting to feel the pressure, the stomach knot had changed from a slip knot to a sheep shank and getting tighter and tighter! I was never nervous when I did my GCSEs or A-levels, but now I was feeling what I guess everyone else did at that time. Thankfully I was given such good hands on instruction from the art director of what he liked and didn’t like about my previous portraits that I knew so well what I had to do. Without such help I think I may have fallen short. The big day and moment of truth came, and after a lot of tapping refresh on the email I finally got the reply and 3 ticks I needed. After a lot of smiles the art director told me they have 3 illustrators they use on a rotation basis for this area and now I’am one of them. It’s a real life honour to be included in a list with the other guys, as not only have they been in the game for a few years but they have worked for epic clients such as Nike and Channel. Honestly feels like I have just been promoted from the championship to the premier league! I think when I look back in a few years I will be able to see that this was a pivotal point in my career.

See the online article HERE

The Financial Times 19th – 20th Jan ’13

Another record breaking FT illustration, but not what you’re thinking, no. Instead of the normal 24 hours, I had 6 and half days to do it. Surprisingly I found it pretty difficult to complete, I didn’t leave it until the last minute but the composition of the image was awkward. Getting the perspective right on the chairs using mono print, which is already a tough method to use, was testing. I’m a big fan of the abstract light that blazes across the image: abstract colour is something I have been working a lot recently and is probably where the evolution in my style has come from.

Full online article Here

The Financial Times 5th – 6th Jan ’13

yes yes! Its the first one of the new year and I’m off to a flyer!! Defiantly breaking free with the old colours now! This however isn’t my favourite part of the image, I really like the composition! I had to draw about 10 different sets of people queuing then photoshop it together, after a lot of shouting I think I got there!

You can find the article online HERE!

The Times Educational Supplement Dec ’12

Its been a few months since I last did some work for the TES, so its great to get back in the publication. Its not often I feel swayed to use a certain colour scheme, this time however I think it made sense to. It was great to break away from a bit of a mold that I have been using recently, theres nothing like progression! Plus i feel as if I dont worry about my drawings so much these days which allows me to focus on the composition and colour scheme, rather than fretting over a nose for 60% of the deadline.

The Financial Times 8th – 9th Dec ’12

I know I say this every time I bring out a new illustration, but i think this is my new favourite. I’m mad-on-her

you can find the online article here – FT Diary

The Financial Times 17th – 18th Nov ’12

This week I sent 2 alternative Illustrations, not a massive difference between the two, but it was good to see which they would pick. Above you can see the final printed version and the version I sent in, the more observent people will be able to see how they differ. As is often the way with the FT, last minute alterations to page layout mean the allotted space for the image can change, thus meaning they had to lose one of my ‘Hoodies’. Which is a shame as it was my favourite, but at least it didn’t effect the dynamics of the image too much.

I’m really pleased with how the buildings came out, architectural scenes are often something I fret over a fair amount as I never know how to approach them. This time I think I may have answered my own question.

New T-Shirt Design

“And now for something a little different!” Finally had a chance to work on this, it’s been a work in progress for a while now but looks to be complete. Although not printed yet it shall be coming soon. I’m thinking early 2013, along with a new look website including a shop area! Fingers crossed that doesn’t get knocked back to late 2013!! For now you’ll just have to enjoy the image. Look out for more new work and projects coming out soon as well, images for my book will be materialising amongst others.

Druglink Sept/Oct/Nov ’12

I received this through the post today, the published copy of a job I did a few months ago. This is one of those images that I wasn’t to sure about when I first completed it, however now that I have seen it printed I have become rather fond of it. It gives the image a bit more purpose I think.

The Financial Times 3rd – 4th Nov ’12

I loved the colours from the last illustration so much, I pinched them for this one. 24 hour deadline this time, so the pressure was back on. Its quite clear that the quicker jobs go some way towards developing the evolution of my work. no time to think, just illustrate!

About me

My delicately dirty style takes inspiration from current affairs, topical news and humorous situations.

Using striking high contrast colours mixed with pencil, I like to draw upon the royal grandeurs that have been so popular throughout European history.

As well as freelance illustration I like to partake in many other areas within the creative world, organizing exhibitions across the UK and collaborating with inspiring and inventive people.

Open to your thoughts commissions and collaborations